The Faerie Queene, one of the great long poems in the English language, written in the 16th century by Edmund Spenser.As originally conceived, the poem was to have been a religious-moral-political allegory in 12 books, each consisting of the adventures of a knight representing a particular moral virtue; Book I, for example, recounts the legend of the Red Cross Knight, or Holiness.. The Project Gutenberg eBook, Spenser's The Faerie Queene, Book 1, Edited by George Armstrong Wauchope. Renascence Edition, based on The Complete Works in Verse and Prose of Edmund Spenser (Grosart, London, 1882), eBook prepared by Risa S. Bear (1993-96). Text is in public domain.
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From Spenser's Faerie Queene vol. 2 Walter Crane (18451915) Vintage illustration art
![Edmund Spenser [illus. Walter Crane] Spenser's Faerie Queene Allen, 1897, First Thus.](http://cdn.ecommercedns.uk/files/4/211944/2/1575682/5455-10.jpg "Edmund Spenser [illus. Walter Crane] Spenser's Faerie Queene Allen, 1897, First Thus.")
Edmund Spenser [illus. Walter Crane] Spenser's Faerie Queene Allen, 1897, First Thus.
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![Edmund Spenser [illus. Walter Crane] Spenser's Faerie Queene Allen, 1897, First Thus.](https://cdn.ecommercedns.uk/files/4/211944/0/1575680/5455-8.jpg "Edmund Spenser [illus. Walter Crane] Spenser's Faerie Queene Allen, 1897, First Thus.")
Edmund Spenser [illus. Walter Crane] Spenser's Faerie Queene Allen, 1897, First Thus.
In The Faerie Queene, Spenser creates an allegory: The characters of his far-off, fanciful "Faerie Land" are meant to have a symbolic meaning in the real world.In Books I and III, the poet follows the journeys of two knights, Redcrosse and Britomart, and in doing so he examines the two virtues he considers most important to Christian life--Holiness and Chastity.. THE FAERIE QVEENE. Disposed into twelue bookes, Fashioning XII. Morall vertues LONDON Printed for William Ponsonbie. 1596. A Note on the Renascence Editions text: This HTML etext of The Faerie Queene was prepared from The Complete Works in Verse and Prose of Edmund Spenser [Grosart, London, 1882] in 1993-96 by R.S. Bear at the University of.
